This cover image released by Farrar, Straus and Giroux shows “Crossroads,” a novel by Jonathan Franzen.
“Crossroads,” by Jonathan Franzen (Farrar, Straus and Giroux)
Jonathan Franzen dreams big. His newest novel, “Crossroads,” arrives with an audible thud on readers’ doorsteps and will easily hold those doors open at 580 pages. The themes are monumental — from the existence of God to our obligations to family to the morality of war. It’s also the first of a trilogy called, aspirationally, “The Key to All Mythologies.”
But don’t let all the hype surrounding a Franzen novel overwhelm you before reading. In many ways, this is peak Franzen, with richly created characters, conflicts and plot. “Crossroads” introduces readers to the Hildebrandt family at the start of the 1970′s. The patriarch, Russ, is a middle-aged associate pastor at a suburban Chicago church, with less-than-pure thoughts about a widowed parishioner in his congregation and a younger rival in the clergy, Rick Ambrose, whose flourishing youth group gives the novel its name. Russ’ wife, Marion, wonders if all the sacrifices she made to be a pastor’s wife were worth it. And their four kids, from oldest to youngest — Clem, Becky, Perry and Judson — are all caught up in some fashion in the swirling cultural winds of the decade. Despite their religious upbringing, or perhaps in part because of it, there are temptations at every turn, from drugs to pre-marital sex.
And in typical Franzen fashion, we go fathoms deep into all the characters’ heads (except Judson, who at 9, is mostly spared the inner monologue) as they navigate their lives. The introspection is head-spinning at times. Just when a character convinces themselves to do something, they reconsider and the plot spins off in a new direction. That’s not to say any of it feels arbitrary. Franzen has a story to tell, it’s just a story featuring characters who aren’t always sure what they want. The novel’s title is more than just the name of the church’s youth group, after all.
