Move over, Scout Finch! There’s a new contender for feistiest girl in fiction, and her name is Swiv. She’s the 9-year-old narrator of Miriam Toews’ spectacular new novel, “Fight Night” (Bloomsbury, 251 pages, ★★★★ out of four, out Tuesday), and you’re not likely to forget her distinctive voice – wise, worried, precocious, profane – anytime soon.
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We get to know her through a long letter she’s writing to her absent father who, in a family with its fair share of mental illness, has struggled with demons of his own. Swiv has plenty of time to write it – and to look after her ailing grandma Elvira while her actor mom, Mooshie, goes to work – because she was suspended from school for fighting.
Not to worry. Grandma has taken charge of Swiv’s homeschooling with her customary exuberance, devising an idiosyncratic curriculum that emphasizes the writing and telling of stories. Grandma “says letters start off as one thing and become another thing,” Swiv tells her dad. Swiv, in turn, has assigned her mom and grandma to write letters to the unborn child that Mooshie is carrying, making her more volatile than ever. Or, as Swiv puts it, “Mom is in her third trimester. She’s cracking up.”
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Toews, an award-winning Canadian writer only slightly less renowned on this side of the border, is the author of seven previous novels, most recently 2018’s “Women Talking,” and one work of nonfiction. Many of them deal in one way or other with her unusual upbringing in a strict Mennonite sect in Steinbach, Manitoba, and the suicides of her father and sister. This one, set in Toronto, is no exception.
As Swiv recounts to her father the stories she hears at home, she naively reveals the systematic abuse, both physical and psychological, of women and children in the patriarchal religious society that her mother and grandmother fled. Their nemesis is Willit Braun, the sanctimonious, tyrannical leader of the church they belonged to, one of many men who “robbed us blind,” Elvira says.
“They stole our souls … they hung out their shingles as soul-savers even as they were destroying them … they took our life force. And so we fight to reclaim it … we fight to love ourselves … we fight for access to our feelings … we fight for access to God …,” Elvira tells Swiv as they set out on what will prove to be a fateful journey to visit Elvira’s nephews, Ken and Lou, in Fresno, Calif.
Despite the timeliness of Toews’ story – it resonates with #MeToo and calls to “Smash the patriarchy” – “Fight Night” is the farthest thing imaginable from a political diatribe. Toews, who began her writing career making radio documentaries, has created a vibrant, mostly female ensemble of eccentric, endearing voices, girls and women doing their best to stand up to the Willit Brauns of the world. Even the minor characters spring to life on the page.
With Swiv, Toews has perfectly captured the spongelike way kids absorb the language of adults (“Poor Grandma. Today she has the Triple Scoop Sundae. Gout, trigeminal neuralgia, angina. With a topping of arthritis.”) while retaining their fundamental innocence. Swiv has only a fuzzy sense of politics – she says her mom won’t stand up for the national anthem “because Canada is a lie and a crime scene” – and the mere thought of sex between a man and a woman, which she’s forced to think about when she discovers a thong under cousin Ken’s bed, makes her shudder in horror.
Moving back and forth in time through her characters’ fragmentary memories, Toews has written a big-hearted, briskly paced family saga about the extraordinary love that binds three generations of free-spirited women together, and the tools and techniques that they’ve had to develop to survive.
Elvira carries around in her red purse a letter about God’s love that Mooshie wrote to her when she was 17 – a story that so inspires Swiv, she decides to write a similar note to her mom even though she didn’t grow up in the church that has loomed so large in her family’s history and “didn’t know anything about God.” As you might expect, that doesn’t deter her in the least.
“I could write something hopeful from Beyoncé,” she tells her dad, “and Mom could carry it around forever.”
Fall reading guide: Books we can’t wait to read by Katie Couric, Billy Porter, Jonathan Franzen and more
These are the great new books of 2021 that got ★★★½ and ★★★★ (out of four) reviews from USA TODAY critics, starting with “Beautiful World, Where Are You,” by Sally Rooney · ★★★★ · “An intimate and piercingly smart story about sex and friendship that finds the profound in the everyday.” Read the review.
“Matrix,” by Lauren Groff · ★★★★ · “‘Matrix’ is the award-winning author’s sixth book and fourth novel, and it’s a relentless exhibition of Groff’s freakish talent. In just over 250 pages, she gives us a character study to rival Hilary Mantel’s Thomas Cromwell or Robert Caro’s Robert Moses.” Read the review.
“Seeing Ghosts,” by Kat Chow · ★★★½ · “We all have our ghosts that need witnessing, for their sake and for ours. In baring her memories and her soul, Chow reminds us why this task is so important, and how it lets us heal.” Read the review.
“The Quiet Zone: Unraveling the Mystery of a Town Suspended in Silence,” by Stephen Kurczy · ★★★½ · “Setting out to explore how dependence on technology affects lives by immersing himself where it doesn’t, Kurczy discovered that not everything added up in The Quiet Zone.” Read the review.
“Afterparties,” by Anthony Veasna So · ★★★½ · “So’s death marks the loss of a writer who savvily wrote about identity crises in immigrant families without lapsing into worn tropes about assimilation.” Read the review.
“The Shimmering State,” by Meredith Westgate · ★★★½ · “With clear reference to the U.S. opioid crisis, ‘The Shimmering State’ spins a compelling story about what a person will do to relieve pain – and what is lost in that release.” Read the review.
“Disasterology: Dispatches from the Frontlines of the Climate Crisis,” by Samantha Montano · ★★★½ · “Montano asks all the right questions. Will we live in a world of feeble reaction or planned response, a you’re-on-your-own landscape of ‘check lists and go-bags,’ or what Montano calls ‘disaster justice,’ marked by organized efforts and political will? Our lives depend on the answers.” Read the review.
“Falling,” by T.J. Newman · ★★★½ · “The plot’s construction is elevator-pitch gold: Bill Hoffman, captain of a Coastal Airlines flight headed from LAX to JFK, learns that his family has been abducted, and if he doesn’t crash his plane and kill all the souls aboard, Hoffman’s wife and two children will die. Oh, and someone onboard is a co-conspirator, so no funny business.” Read the review.
“Not a Happy Family,” by Shari Lapena · ★★★½ · “With every clue, every lie exposed and every truth revealed, Lapena keeps the reader guessing right up to the very end. And once there, Lapena manages to leave us wanting even more.” Read the review.
“Filthy Animals,” by Brandon Taylor · ★★★★ · “Taylor is an important literary talent, not least for his ability to render the familiar into the shockingly unfamiliar. Full of beauty and harshness, the complex and startling stories of ‘Filthy Animals’ will stick with readers long after the pages are read.” Read the review.
“First Friends: The Powerful, Unsung (And Unelected) People Who Shaped Our Presidents,” by Gary Ginsberg · ★★★½ · “Ginsberg, a journalist and one-time political operative, profiles the confidants of nine U.S. presidents – pals of pols, if you will. These influential intimates, mostly out of public view, helped their respective commanders in chief chill out, strategize and make history.” Read the review.
“Survive the Night,” by Riley Sager · ★★★½ · “The novel satisfies like a summer blockbuster, nearly demands you stay until the final scenes and the lights come up.” Read the review.
“Dream Girl,” by Laura Lippman · ★★★½ · “Lippman’s sharp and timely thriller is a fast read, one that will surely please her many longtime devotees as well as attract new and enthusiastic fans.” Read the review.
“The Burning Blue: The Untold Story of Christa McAuliffe and NASA’s Challenger Disaster,” by Kevin Cook · ★★★★ · “Cook’s crisply crafted journalism and perceptive take on the personalities that shaped the Challenger mission – along with NASA’s struggles and failures – make for a riveting narrative and complex cross-weave of themes.” Read the review.
“How the Word Is Passed: A Reckoning With the History of Slavery Across America,” by Clint Smith · ★★★½ · “By traveling to former plantations, cemeteries and beach communities and dealing with Confederate monuments, prison conditions and Lost Cause nostalgia, Smith, a staff writer at ‘The Atlantic’, aims to show how what happened scarcely over 150 years ago can’t help but cast a shadow on what’s going on now, especially not when for the price of a bus ticket you can be taken back to the scenes of the crime.” Read the review.
“King Richard: An American Tragedy,” by Michael Dobbs · ★★★★ · “This fast-paced opus would be a rollicking fun read, a beach book even, if it weren’t so doggone real – and if it wasn’t so reminiscent of recent machinations in our nation’s capital. But fun or not, this is an important book at this moment in our tortured political history.” Read the review.
“One Last Stop,” by Casey McQuiston · ★★★½ · “’Red, White and Royal Blue’ author McQuiston has done it again, thoughtfully crafting complex and lovable characters that fall in love under unique circumstances.” Read the review.
“The Bookshop of Second Chances,” by Jackie Fraser · ★★★½ · “Author Fraser proves love is often best the second time around with a romance that is perfectly realistic about imperfectly real people.” Read the review.
“Talk Bookish to Me,” by Kate Bromley · ★★★½ · “Bromely does a deft job at keeping the twists and turns of this reunion realistic and utterly romantic.” Read the review.
“Films of Endearment: A Mother, a Son and the ’80s Films That Defined Us,” by Michael Koresky · ★★★½ · “’Films of Endearment’ moves with a beautiful universality that will inspire readers not only to revisit the ’80s films of the book, but to set out on film journeys of their own.” Read the review.
“Project Hail Mary,” by Andy Weir · ★★★½ · “‘Hail Mary’ has the same strong storytelling as ‘The Martian’ and if you dug Weir’s original self-published hit or the Oscar-nominated Matt Damon film, get ready to enjoy this, too.” Read the review.
“Little and Often,” by Trent Preszler · ★★★★ · “‘Little and Often’ proves to be a rich tale of self-discovery and reconciliation. Resonating with Robert Pirsig’s classic ‘Zen and the Art of Motorcycle Maintenance,’ it is a profound father-and-son odyssey that discovers the importance of the beauty of imperfection and small triumphs that make extraordinary happen.” Read the review.
“Broken (in the best possible way),” by Jenny Lawson · ★★★★ · “‘Broken’ is Lawson at her best. The blogger, humorist and author – whose books include ‘Let’s Pretend This Never Happened,’ ‘Furiously Happy’ and ‘You Are Here’ – has written a collection of essays that beautifully balances belly laughs with gut-wrenching truths.” Read the review.
“The Five Wounds,” by Kirstin Valdez Quade · ★★★½ · “’Wounds’ is based on a story in Quade’s excellent 2015 debut collection, ‘Night at the Fiestas,’ and for her first novel she expands the cast of characters while intensifying the traumas.” Read the review.
“Red Island House,” by Andrea Lee · ★★★½ · “‘Red Island House’ becomes a unique, surprising work – at once a psychological novel, a novel of place and a novel about relationships.” Read the review.
“Honey Girl,” by Morgan Rogers · ★★★★ · “Sprinkled with stardust, Rogers’ prose is poetic, earnest and existential, making for a coming-of-age story that reminds us we figure out who we are and what our place is in the world over and over.” Read the review.
“Shooting Midnight Cowboy: Sex, Loneliness, Liberation, and the Making of a Dark Classic,” by Glenn Frankel · ★★★★ · “A masterfully structured study bursting with detail and context… Frankel puts it all together with narrative verve, telling a propulsive tale about creativity, commerce and loss.” Read the review.
“Dial A for Aunties,” by Jesse Q. Sutanto · ★★★★ · “Sutanto brilliantly infuses comedy and culture into the unpredictable rom-com/murder mystery mashup.” Read the review.
“Siri, Who Am I?,” by Sam Tschida · ★★★½ · “Tschida took me on a wild ride in the quick read with endless turns and a happily-ever-after ending fit for a Friday night, feel-good rom-com movie.” Read the review.
“Klara and the Sun,” by Kazuo Ishiguro · ★★★½ · “‘Klara and the Sun’ is ‘The Velveteen Rabbit’ by way of Steven Spielberg’s ‘A.I.’ absent sentimentality. No honest observer of humanity will be much surprised by the endpoint of Klara’s journey, though the emotional gut-punch might still come as a shock.” Read the review.
“Meet You in the Middle,” by Devon Daniels · ★★★½ · “Set in Washington DC in the aftermath of the polarizing 2016 election, ‘Meet You in the Middle’ feels more timely than ever following the even-more-divisive 2020 election.” Read the review.
“The Girls Are All So Nice Here,” by Laurie Elizabeth Flynn · ★★★★ · “‘The Girls Are All So Nice Here’ kept me up all night – literally. I tore through the book in less than 24 hours, forcing my eyes to stay open as if the remaining pages wouldn’t be there in the morning.” Read the review.
“The Dating Plan,” by Sara Desai · ★★★½ · “Sara Desai returns with another thoughtful, goofy and sexy enemies-to-lovers plot that explores first crushes, second chances and familial love.” Read the review.
“The Four Winds,” by Kristin Hannah · ★★★½ · “‘The Four Winds’ is epic and transporting, a stirring story of hardship and love that is likely to lead to a film adaptation.” Read the review.
“The Sky Blues,” by Robbie Couch · ★★★½ · “‘The Sky Blues’ is exactly the kind of teenage romantic comedy that LGBTQ youth – really all youth – need right now.” Read the review.
“Mike Nichols: A Life,” by Mark Harris · ★★★½ · “Harris, a proven scholar of Hollywood, writes brilliantly and gathers momentum with deeply researched, fascinating forensic passages about the challenges and conflicts of Nichols’ great projects.” Read the review.
“The Removed,” by Brandon Hobson · ★★★½ · “It’s a surprisingly magnetic and eerie book, like a concrete brick that cracks open to reveal a sparkling geode, throwing off a strange light.” Read the review.
“Chatter: The Voice in Our Head, Why It Matters, and How to Harness It,” by Ethan Kross · ★★★½ · “Kross may be a scientist by trade, but with ‘Chatter’ he proves himself a deft storyteller who, through levity and wit, creates an easily digestible work on the brain, how it works and how we can quiet our often relentless chatter.” Read the review.
“Let Me Tell You What I Mean,” by Joan Didion · ★★★★ · “Slim and elegant as Didion’s public persona remains at age 86, the book traces her journey and development as a writer of magisterial (a word she would never use) command and finely measured style.” Read the review.
“The Prophets,” by Robert Jones Jr. · ★★★★ · “‘The Prophets’ is packed with otherworldly and supremely artful storytelling, and readers will surely get lost in a radiant romance.” Read the review.
“A Lie Someone Told You About Yourself,” by Peter Ho Davies · ★★★½ · “The bulk of this slim, gemlike novel is about the son that the parents (all unnamed) do have, constructed from the brief scenes of joy, exasperation and fear that define parenthood.” Read the review.
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This article originally appeared on USA TODAY: Miriam Toews’ wise, wonderful ‘Fight Night’ celebrates three generations of women
